It just about goes without saying that when you are reading aloud to your students, you should read with theatrical expression, dramatic timing, and authentic enthusiasm. Mem Fox says, “There’s no exact right way of reading aloud, other than to try to be as expressive as possible. As we read a story, we need to be aware of our body position, our eyes and their expression, or eye contact with the child or children, our vocal variety, and our general facial animation. But each of us will have our own special way of doing it” (2001, p. 40). When Joyce Zawaly, a fourth-grade teacher, has reading conferences with her students, she listens to her students read a passage from their independent reading book that they have selected and practiced. If their reading is monotone and word-by-word, she coaches them to be more expressive, reminding them of the way she models expressive reading during read-aloud. Joyce even goes so far as to create a different voice f...
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